Release Date on September 14, 2018
There are two things I have always loved about Shadow of The Tomb Raider Free Download Game Walkthrough in all my incarnations: beautiful, exciting and dangerous places to explore, and Lara Croft herself. Shadow of the Tomb Raider ranges from East to South Inca cities and modern-day Peru jungles and towns, with missionary cry to climb, dive, and South American locations to the east. But it gives Lara a disservice, who turns her into a deadly mud-camouflaged jungle warrior who, while not interesting to say, is pushed by a plot that is more predictable than its main character and Is more concerned with supernatural artifacts. It’s so silly that you can explain it without sounding ridiculous: Lara is pursuing a secret militia organization across the South American continent to prevent them from stealing a silver thong and bringing about the end of the world.
Like the first two Shadow Tomb Raider Review games in this modern trilogy by Crystal Dynamics – although this closing entry was developed by a different studio, Eidos Montreal – Tomb Raider’s Shadows slow-paced exploration, treasure-hunting, and surround ancient tombs. Allegations of creating buzz echo the path to high-adrenaline action-movie-style play. Lara gets trapped in mudslides and earthquakes, scrambles off collapsing buildings and blows up invading helicopters, but instead of hiding behind cover with an assault rifle, she often ignores herself in tall grass or against walls. Suppresses, anonymity hunts down the militia in the dark. Lara has “evolved” from a desperate survivor into a silent killer, which gives the player a welcome break from shooting things. Sending a poisoned arrow into the thigh of a guard from the forest canopy is more interesting than dropping pistols into them one by one by pointing pistols at them and pressing them to fall down.
As the spectacle, Tomb Raider’s shadow is the best combat possible. It is a revelation in its beauty. Whenever Lara emerges from a forest or cave, the camera rests on sunset-yellow badlands and beautiful temples to discover some new wonders of the ancient world. Walking around rocks and crumbling buildings is vertical and exciting; It always feels like you are an inch away from falling to your death. The animation and environmental design are really impressive, and you are usually given time to move quickly rather than coping.
Sadly, the shadow of Tomb Raider’s series Wonderful Places is put together under a plot that collapses under the slightest scrutiny. The narrative is an inconsistent mess that goes beyond the usual action film/video game suspension of disbelief – how do Lara’s guns work perfectly even after an hour of driving through an underwater grave? – and really shakes up their investment in what’s happening in the game. The plot makes little sense, basic character motivations are completely absent, and Lara spontaneously meets random preoccupation for practically everyone.
To choose one of many examples: Why, when Lara appears in an undisputed native colony filled with people who have escaped from the outside world for hundreds of years, is she immediately welcomed and served to settle their disputes goes? How does he communicate fluently with them? At first, Tomb Raider’s narrative ignites a shadow of inconsistencies, but with every new convenient puzzle or magical artifact, pointless revelation, or paper-thin character, my tolerance for the pointless Thin Thin.
It is also worth noting that in ancient Central America, seeing the aristocracy wearing wings and animal skulls and shooting enemies dressed in a ceremonial costume, English Lara Croft is deeply uncomfortable. Killing endless streams of militias can be seamless, but at least the optics are not so serious. In the opening scenes, it is Lara’s merciless plunder of a Mayan tomb that kills the apocalypse, but any comment here about Lara’s approach to ejecting artifacts from other cultures is made by a plot, which later leads her to The native holds as the protector of the inhabitants.
Beautiful backdrop Shadow of the Tomb Raider Photograph: Eidos Montréal
Most disappointingly, Lara Croft is boring herself. At the beginning of this trilogy, when he was not compared to the bulletproof aristocratic adventurer he had already done, everyone did not like it, but it was at least an attempt to humanize him. In 2013’s Tomb Raider, she was trying to survive on an island; In Rise of the Tomb Raider, she was tracing her late father’s footsteps all over the world to find out what caused her death; Here, his motivations are much less clear and his conscience personality is placed in a grandiose plot of a world-ending. Any introspection about who she is and what she is doing is hidden in the menu, where the artifacts examined indicate a few lines for Croft. In light of the fact that neither of the authors of the previous two games has been credited here, and the transition to a new studio, you wonder if this game is suffering from a development drama.
In the Shadow of the Tomb Raider there is much more to follow its story – tracking treasures from clues written on monoliths, exploring extraordinary hidden tombs with the best riddles in the game, hunting jungle creatures, Unravel local mysteries in populated areas. These efforts are a lot of fun, especially hidden tombs, but the rewards are strangely meaningless. Salted outfits offer meaningless bonuses for Lara (“get more experience for hitting”), the crafting materials are so plentiful that they are not an exciting reward, and new skills or weapons are rarely used. Oddly, items such as lockpicks that open up possibilities to seek new treasures are sold by merchants, not earned through exploration. It is very strange that this alternative material is so badly incorporated.
Shadow of Tomb Raider is a strange and vaguely disappointing game, but not a bad one. Sneak around in the jungle, fighting jaguars, exploring ancient crypts that grapple with danger, jump and climb around extraordinary Peruvian scenes, the satisfying “thunk” of an arrow finding its target; This is all fun, if not new. The places Lara visits and the things she does, especially when she doesn’t have a gun in her hands, are beautiful and entertaining. But it lacks a coherent plot or creative vision to put it all together, and the opportunity to create an interesting character out of Lara Croft is meaningless.
Shadow of the Tomb Raider Recommended Requirements
- OS: Windows 10 64-bit
- Graphics Nvidia GTX 1060 6GB or AMD Radeon RX 480, 8GB
- Processor: Intel Core i7 4770K, 3.40 GHz or AMD Ryzen 5 1600, 3.20 GHz
- Memory: 16 GB
- DirectX: 12 Version
- Storage: 40 GB
- Dedicated Video Memory: 6GB
Shadow of the Tomb Raider System Requirements Minimum
- OS: Windows 7 64-bit Or Later Windows 8 Windows 10
- Graphics Nvidia GTX 660/GTX 1050 or AMD Radeon HD 7770
- Processor: i3-3220 INTEL or AMD Equilevant
- Memory: 8 GB
- DirectX: 11 Version
- Storage: 40 GB
- Dedicated Video Memory: 1024 MB
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